#62 Cratering phenomena and ceramic glazes: in short
A closer look at one of the most common flaws that can affect both the performance and the appearance of ceramic glaze. In this episode, we break down the key causes, explain how they arise, and share practical ways to prevent them. For a deeper dive into the topic, check out…
#61 Rheology in a nutshell: fundamentals, applications, and role
What is rheology and what is it used for? This episode answers exactly these questions. Without delving into complex details, it presents a few key concepts to help navigate topics such as viscosity, material behavior, and process control. It’s a first step toward understanding…
#60 Wetting agents: functions and applications in the ceramic industry
Wettability is, in general terms, the property that describes a liquid's ability to adhere to a solid surface. It can also be understood as the process through which effective contact is established between a liquid and a solid. Wetting additives play a crucial role in creating…
#59 Water conductivity and industrial processes
The electrical conductivity of water is a key parameter in industrial production processes, as it reflects the amount of dissolved ions that can directly impact the stability and efficiency of operations. When conductivity levels go unchecked, they can compromise the quality of…
#58 Chemicals for ceramic glazes: the milling stage
We dive into the essential role of chemical additives used during the grinding phase of ceramic glazes—a crucial step that sets the stage for successful application on the glazing line. We focus on dispersants and binders, compounds that give the glaze the right balance of…
#57 Maintenance fluids and ceramic digital printers: cleaner, stand-by fluid, and model fluid
Digital printing has transformed the ceramic industry, opening the door to highly sophisticated, versatile, and customizable designs. At the core of this shift are ceramic digital printers—advanced machines that use inkjet technology to precisely apply both functional and…
#56 Temporary binders, applications & actions
In the world of ceramics, temporary binders play a crucial role in improving the cohesion and workability of slips. These substances, often polymer-based, act on a chemical level by creating bonds between particles, increasing the mechanical strength of the mixture. In the…
#55 Behind the scenes of innovation: exploring the challenges and methodology behind the development of chemical auxiliaries
This article takes inspiration from the thesis work of the Head of Research at Zschimmer & Schwarz Ceramco. The goal is not to focus on the specific topic explored in that study (in this case, the well-known issue of the "black core"), but rather to highlight the research…
#54 Top glaze: what it is, what it is used for, and how to apply it
In the field of ceramics, top glaze is defined as the glaze applied as the final layer on the still raw ceramic body. It can serve various purposes, but largely it is used on one hand to protect the underlying decoration and on the other to ptrovide the surface with specific…
#53 Chimic-A.I. – Chemistry Through the Eyes of Artificial Intelligence. A Playful Experiment
After more than fifty episodes exploring topics of general interest—always through the lens of chemistry and ceramic production—we’ve decided to have some fun. We posed a few simple questions to artificial intelligence, asking it to write a short text about chemistry with…
#52 Flux materials and ceramic production: what they are and how they work
Flux materials used in ceramics, often in glazes and digital glues, are capable of lowering the melting point of a material or compound, thus accelerating the sintering process. This action, which occurs through the breaking of the molecular structure of the compound (in our…
#51 Ceramic manufacturing & digital processes: productivity, challenges & preventive measures
Industrial productivity is a top priority for any manufacturing enterprise, regardless of its field of operation. The ceramic industry, too, must adhere to rules and parameters that enhance productivity while avoiding any form of waste. However, process interruptions—representing…
#50 Reverse Osmosis: challenges and solutions in water treatment
In general, water quality is often a necessary precondition for any ceramic proaction process. For this reason, there are various processes capable of purifying water efficiently and, most importantly, safely. One of the most widespread and commonly used methods is reverse…
#49 Suspending agents: nature, function, and chemical-physical actions
Suspending agents belong to a broad category of additives whose primary purpose is to provide ceramic suspensions (slips, glazes, engobes, or frits) with good internal stability, counteracting potential sedimentation phenomena. Available in both liquid and solid forms, these…
#48 Complexing agents and ceramic production: what they are and how they work
Complexing agents are capable of catching multivalent cations present in suspension to prevent them from negatively affecting the ceramic process. They are responsible for one of the main mechanisms underlying the deflocculation process: complexation. These are simplified and…
#47 Relief surfaces and ceramic production (3D effects): methods and techniques
The topic of non-planar surfaces, which develop on multiple micro-levels and are sometimes improperly identified as 3D surfaces, plays a crucial role in giving ceramic surfaces not only a more natural appearance but also a broader and more extensive expressive potential. This is…
#46 Preparatory stages of the digital printing process: from files to ceramic support
In the 6/2019 edition of Zi Brick and Tile Industry International, the first part of this article informed readers about the technical aspects of digital printing systems. This part of the article examines the necessary preparatory work and explains the file creation process. All…
#45 Digital printing: opportunities and challenges in heavy clay ceramics
At present, in the heavy clay industry, products are decorated mainly by applying engobe with the aid of scattered granules or by means of reduction effects created by the firing process. These techniques are suitable to produce traditional products for the existing market. What…
#44 Operating temperature & ceramic production
The operating temperature is an important parameter that ceramic producers must take into account in order to avoid application problems that can also negatively affect the quality of the finished product. However, this parameter is not always easy to manage, especially if we…
#43 Chemicals for ceramic production: a focus on deflocculants and binders
Most of the ceramic production processes depend on suspensions or more generally chemical dispersions of ceramic powder in a liquid, mostly water. In order to provide the suspension with the right features, small quantities of chemicals able to modify the rheology of the system…
#42 Analysis of ceramic suspensions: tools and purposes
All analysis of ceramic suspensions carried out by those companies that supply chemicals for ceramic production are fundamental to properly develop the processes that take place along the production line. Here is an overview about the role of these important investigations, with…
#41 Chemicals & seasonality: problems and suggestion
In ceramics, the use of chemicals plays a fundamental role in providing the final product with high technical and aesthetic results and in promoting a proper application process. However, their actions can be sometimes less effective or compromised. There are several reasons…
#40 Grit and glaze suspensions: differences & similarities
Glaze and grit suspensions are made up of a liquid part (usually made-up of water and one or more rheological chemicals) and a dispersed solid part. However, these two different suspensions show a lot of differences that may lead to very contrasting results, also implying a…
#39 Cratering phenomena: what they are, how they are formed, and how to handle them
Cratering phenomena are defects that appear as microscopic craters on the surface of ceramic bodies on which an aqueous (and still drying) suspension has been discharged. It is an application problem that leads to a misalignment of the suspension due to the presence of one or…
#38 Carboxymethylcellulose: what is it for & how to use it?
CMC are organic compounds, water-soluble polymers derived from cellulose, widely used in several fields of industrial production. In ceramics, sodium CMCs perform multiple functions within suspensions and solutions and can be marked by very different properties depending on the…
#37 Ceramic mixtures, plasticity values & application fields
The plasticity values of ceramic mixtures is a very important issue, since it affects the values and features of the mix and therefore the proper development of the ceramic production process. In general, the use of clays marked by high plasticity values is usually synonymous…
#36 How to improve the printing definition of digital inks
In ceramics, digital technology (use of digital glues and digital inks) has definitely riform the sector, making the production process much more flexible and expanding creative and aesthetic possibilities. The extraordinary precision with which the ink is discharged on the…
#35 Scanning Electron Microscope & ceramic production
The term SEM is an acronym for Scanning Electron Microscope. This is a high-technological tool that, unlike optical microscopes that take advantage of light as a radiation, makes use of an electronic source (usually tungsten). It is a type of electron microscope that produces…
#34 Sodium silicate & deflocculation of ceramic mixtures
Sodium silicate is an inorganic substance that at room temperature it is in solid state. It is a chemical compound used in several areas of industrial production. In ceramics, sodium silicate is very effective within ceramic mixtures. Among the several effects it produces, it…
#33 Ceramic firing cycle, emissions and chemism of digital inks
Polluting and odor emissions are two sensitive critical issues to which ceramic manufacturers have long been looking with considerable attention. This is a problem that appear in the final stage of the ceramic production cycle, inside the kilns, but whose origin is due to…
#32 Foam formation within ceramic glazes: how to deal with the problem?
Among the several issues that may occur along the glazing line, the excessive foaming of the glaze is one of the most frequent and problematic. The phenomenon is already visible on the surface of the glaze inside the stirring systems but the consequences of its presence can…
#31 Ceramic glaze application & technical defects: the tv effect
Speaking of ceramic glaze applications and technical defects, one of the strangest and most interesting is the "TV effect". It consists of a preferential migration of the glaze towards the perimeters of the tile that produces in those areas a thickening of the glaze. The…
#30 Excessive viscosity of the slip: causes & remedies
Viscosity (or viscous friction coefficient) measures a substance's attitude on generating friction between its layers. In other words, it defines the fluid resistance to its proper flow. The viscosity value of the barbottina can sometimes rapidly and suddenly change and in case…
#29 Glazes and engobes bacterial degradations: technical & aesthetic consequences
All process water involved in ceramic production, both tap and well waters, usually contains a variable percentage of bacteria. And the same applies to inorganic raw materials used in the grinding process to produce the semi-finished products that will be later applied along the…
#28 Digital inks for ceramic production: what do we need to know?
In the last few years the ceramic industry has been rapidly evolving thanks to the progressive digitalization of the some of the processes. In this regard, the digital ink decoration system plays one of the most important role. What is a digital ink for ceramic? What is its…
#27 Ceramic glazes, surface tension & chemicals
Surface tension is the tendency of liquid surfaces at rest to shrink into the minimum surface area possible. In general, to get a proper glaze application, it is always important to work on the fluid's surface tension by decreasing or, more generally, adjusting it, until you…
#26 Ceramic slips & rheological behavior
In general, wet grinding systems as well as atomization systems, offer the best performance and the best production results only when chemical and physical features of slips are constant for the duration of entire process. More precisely, the optimal process is developed when the…
#25 Formaldehyde, ceramic production and environmental impact
The Italian ceramic industry has been involved for years in a very important goal: the reduction of environmental impact. For this reason it is constantly tested in order to prove its right performances as well as to ensure compliance with the strictest standards. Formaldehyde…
#24 Ceramic suspensions & rheological behavior
Rheology is the science that deals with the flow and the strain rate of matter. It’s a branch of physics that studies the origin, nature and deformation’s characteristics of a matter under the influence of external forces, with particular regard to non-Newtonian liquids. Its…
#23 Deflocculation of ceramic mixtures: what are they and how do they work?
The flocculation of ceramic mixtures is a problem marked by a progressive aggregation of the solid particles and it often takes place due to phenomena of electrostatic attraction between the clay micelles in suspension. This process leads to a significant increase in viscosity…
#22 Ceramic glazes, dusting phenomena & digital printing decoration
What do we mean with “dusting phenomena”? What are the features of a glaze marked by this characteristic? In general, we are talking about a glaze that shows a low cohesion after application by means of traditional airless spray systems. This lack of cohesion is not only…
#21 Surface protection treatments, emissions & regulations
Surface treatments’ target is to protect the surface, improving its performance without changing the basic features of the tile. More generally, tiles (treated or not treated) must comply with regulations and market’s target that can obviously change according to the client and…
#20 Ceramic production, chemicals & environmental impact
This dissertation aims to refocus, from a special and provocative perspective, the role of chemicals used in ceramics: from the beginning to the end of the entire process, that is from the grinding of the clays that form the basis of the ceramic mixture up to the firing cycle. …
#19 Ceramic glazes: application systems, rheology & synthetic chemicals
Ceramic glazes can be applied along the glazing line by means of different systems. The most popular and widespread is the airless spray system, even if vela and bell systems are still in use. Whatever is the choise made by ceramic producers, the glaze's rheology must be always…
#18 Water-based digital glues: what benefit do they promote?
Chemically speaking, water-based digital glues can be generally considered as organic polymers and inorganic components (when present) in water and polar solvents. Their chemical nature, unlike that of solvent-based digital glues, is firstly characterized by the elimination of…
#17 Digital glues: what are they and how do they work?
There have been for years on the market different kind of DIGITAL GLUES for ceramic production, applied process by means of piezoelectric inkjet systems. Although each of them interacts with powders and/or grit in different ways, there are currently two main categories that must…
#16 Black core: origins of the defect and problem-solving actions
The black core is a more or less localized area characterized by a brown/black (or even white) color, clearly visible in the thickness of the final ceramic tile. Its presence is usually sign of inadequate oxidation and it has not to be considered a defect that compromise the…
#15 Glazes' repellency phenomena: additives for applications before and after digital printing process
The ink-jet decoration has surely eliminated several critical issues bringing out, however, new and more complex problems. Among them, the most popular concerns the water repellency phenomena that arise due to the lack of chemical compatibility between inks based on non-polar…
#14 Chemicals for ceramic mixtures: an overview
The ceramic mixture usually used in ceramic production, largely consists of inorganic raw materials (clay, feldspar, sand, etc.), grinding water and chemical. These mixtures, since they must be properly managed in the various stages of the production process - from grinding to…
#13 Superficial halos formation during the drying process
As is well known, the ceramic mixture after being atomized is subjected, during the forming phase, to very high pressures (over 400 Kg/cm2) that are necessary for the creation of the ceramic body. The raw tile, even after pressing, contains a water amount (residual humidity)…
#12B Ceramic glaze applications & additives in use
The ceramic glaze application is one of the most delicate steps of the ceramic production process. To get high levels of performance, the glaze must have accurate rheological characteristics that take into account the specific and different application conditions of the…
#12A Ceramic glaze applications & additives in use
The ceramic glaze application is one of the most delicate steps of the ceramic production process. To get high levels of performance, the glaze must have accurate rheological characteristics that take into account the specific and different application conditions of the…
#11 Dry grit analogical applications (GRANICER 6000)
The dry grit application system is a mode of the ceramic production process that companies are looking at with increasing attention and that somehow has already found its circulation thanks to the wide use of digital systems that focus not only on the application of inks but also…
#10 Digital glazing by means of non-piezoelectric systems
Ceramic glaze application – both before and after the digital printing process – mostly occurs by means of analogical systems (spray wet application). For some time, however, new kind of machines that do not leverage digital technology (inkjet – piezoelectric) has joined the…
#09 Mechanical resistance of raw and dried tiles
The mechanical resistance value of raw ceramics tiles is normally regulated by the UNI EN ISO 10545/4 and it is measured by a device that is called chrometer. This is a specific precision tool that is able to define the breaking load and the flexural strength of the ceramic…
#08 Pin-holes on ceramic surface after firing: causes and remedies
Following the ceramic body forming stages and subsequent digital printing steps, the ceramic production process involves a final application of grits or glazes, sometimes in significant amounts. Failure to apply the correct process parameters can sometimes lead to issues in…
#07 Ceramic surfaces & antibacterial properties
Antibacterial protections, already used in several fields of industrial production, had become in more recent times a central issue of ceramic tile’s production. Market interest, also pushed by the recent events, has speeded up the research within the labs in order to boost a…
#06 Clogging of spray nozzles during grit application
Grit suspensions applied by means of spray systems applications are usually prepared in the glazes’ grinding department. The three main ingredients of the suspension are poured inside tanks provided with stirrers.
#05 Cracks and silica recession inside the pores after surface protection treatments: what's going on?
As we all know, lapping and polishing processes that are necessary to provide ceramic tiles with the required aesthetic features, both involve the removal of a very thin layer of glaze that is on the very external part of the tile.
#04 Process water and production problems: what do you need to know?
Process water play a very important role within ceramic activities, being involved in a wide range of production’s steps. If one the one hand they are strictly necessary to the course of the work, they can lead on the other hand to problems when they do not fits the required…
#03 Bacterial degradation of semi-finished materials. What to do?
In ceramic, semi-finished products are all those materials (in our case, aqueous suspensions) that are produced beside the main production line and that are used in several phases of the process, mostly along the glazing line.
#02 Why do slurry jellify during stocking?
As many know, slurries (the mix or SUSPENSION of water, clays and raw materials that form the basic ceramic mixture) before being processed within the atomizers, can rest for shorter or longer time inside storage tanks, where they undergo to a slow and constant stirring action in…
#01 Why do tiles explodes within the kiln?
During firing cycle, tiles usually start to gradually and constantly heat up. During the heating process, it obviously starts the water evaporation process. Water that is present both on the surface and (overall) inside the ceramic body.
Silver, Titania and antibacterial ceramics: the chemistry point of view
Silver is a noble metal with a long-standing tradition. It is a trace element even present in organism’s tissues. Even though in small quantities, it is also taken by humans through food. Silver is being used in many medical and industrial applications as well as in different…
Ceramic production and antibacterial surfaces: what they are, how they work and possible developments
Due to the recent events that have brought to public attention the increasingly tightening requirements in terms of cleaning and health protection, the ceramic district - that for some time has been offering to the market surfaces with “anti-bacterial properties” - is working…
Primers for inkjet: mechanisms and functionings
Ceramic industry is today inseparably linked to the use of digital printer machines that involve the use of pigmented liquid inks. These new production systems have therefore required the development of specific mediums able to improve the printing process in terms of definition…
Surface protection treatments: technical porcelain stoneware and new scenarios
Changes in taste perception together with the evolution of high performing and sophisticated production technologies, have led to the assertion on the markets of ceramic surface that aesthetically reproduce a wide range of natural materials.
Chemical additives involved in ceramic production processes: an overview
Chemical additives allow and promote the proper performance of almost all the ceramic production processes. Their importance has been exponentially raising with the coming of the rapid firing cycles that have increased the companies’ productivity, leading to a cost containment. …
How to set up a glazes and engobes' milling department that is highly resistant to bacteria
All waters used in ceramic processes, both tap and well water, contain bacteria and microorganisms. The same goes for the inorganic raw materials involved in the milling process: frits, clays, feldspar, nefeline, etc… On this basis, bacterial proliferations can potentially…
Ceramic Grits: Development, application evolutions and chemical responses
The ceramic industry has recently shown an interest in some of the latest generation glass grits, to be used as final cover on all those product - tiles or slabs - that are subsequently destined for lapping or sanding process.
Is it possible to lower the electrical conductivity value of the water used in the ceramic production process?
As already highlighted in the news dedicated to grinding water ( What characteristic the grinding water should have to yield a dense slurry? ), controlling the electrical conductivity is essential in order to avoid rheological problems inside the slurry. The grinding water…
Emissions: ceramic firing process & solvent’s chemical composition (used in inkjet inks)
The issue of smell and polluting emissions deriving from the firing ceramic process is still a critical topic. In order to understand and solve the problem, it must look at the root of what’s causing it: the chemical composition of digital inks.
How to carefully calculate the dosage of additives for glaze or slurry (in the tub during the production process)?
The use of additives in the ceramic production process – specially added to glaze or slurry – is now essential in order to obtain a product with high technical performance and refined aesthetic features marked by attention to detail.
How to calculate the picoliter drainage of a digital print head? (download the calculation form)
To calculate the picoliter volume of an ink drop discharged by a single nozzle of an inkjet head print it is necessary to make a couple of simple calculation that keep in mind the following variables
How to manage a full-field grit application?
The wet system requires the use of specific medium. On the other side, the dry application takes place using special machines (shot blasting applicators) that can work with two different technologies (roller or belt), both with the same purpose: spreading uniformly the grit on…
Why do the products used for the end-of-line protection treatment should be color matched to the tile?
The end-of-line protective treatment – which is recommended after the lapping/polishing process – preserve the ceramic surface from stains and dirt, and it improves the surface’s performance avoiding possible chemical aggressions.
End-of-line superficial treatment: how to avoid dirty surfaces
The polishing or lapping process can make the surface delicate and more sensitive: to chemical agents = detergents or aggressive cleaning products to food = lemon juice, coffee, tomatoes
Wet application of grit: how to improve leveling
The use of ceramic spray booth is the most widely used method for the wet full field application of grit.
Does the grit applied with digital glues need a final surface fixing?
Digital glues, whether water or solvent based, have the ability to fix the glass grit to the ceramic support. However, in case of full field application (when the amount of grit can reach 600/800 grams per square meter), the glue is not able to bind the entire layer of grit.
Why the use of water-based digital adhesives facilitates the application of low, moderate and high quantities of grit
The use of water-based digital adhesives facilitates the application (even simultaneous) of low, moderate and high quantities of grit.
Why do water based adhesives offer higher print resolution?
Solvent based digital adhesives, like all bulk digital inks, tend to expand in contact with the substrate, thus losing the definition of the grit. Water based digital adhesives have 2 components: alpha and beta. These 2 components, once applied, react very rapidly to create a…
Why polished tiles are less resistant to chemical and stain aggression?
The vitreous covering which protects the tiles offers very high performance in terms of resistance to stains and chemical agents. Grinding removes a certain amount of glaze from the surface with the grinding machine disks, creating a very flat surface with a matt or reflective…
Polluting and malodorous emissions due to firing: causes and remedies
Despite the considerable benefits of digital inks in ceramic manufacturing, there are some important counterindications. In particular, the increase in polluting emissions and bad odours during combustion of solvent based inks, which is a problem for people living nearby the…
Definition of ink jet decoration: how to improve it
Digital inks have had considerable benefits for ceramic decoration, especially in relation to the definition of the graphics. However, the conditions for application of the inks do not always allow an adequate definition to be obtained, especially when intense colourations are…
How to reduce the residual humidity of tiles
Ceramic companies are increasingly feeling the need to reduce the water consumption of their glazing lines. This is mainly due to the fact that the residual humidity of tiles entering the kiln must be controlled to stop them exploding during pre-firing: the water generates a…
How to eliminate the hydro-repellent effect of glaze on solvent based digital decorations
Digital inks designed for decorating tiles with ink jet printers contain apolar solvents. The glaze applied as a finish coat after decoration is water based, and hence contains polar (and also non-toxic) substances, in contrast with the inks. The difference in polarity in the…
How to level a glaze applied by spray, bell or curtain application?
Ceramic glazes and their application systems have not undergone significant change in recent years. In any case, there are various types of additives for levelling the glaze and which can be used in various ways depending on the type of application and the characteristics of the…
How to increase the mechanical strength of green or dried ceramic tiles and slabs
The mechanical strength of ceramic tiles and slabs – dried or green – is critical to avoid reducing production. Reductions in production caused by breakages and other defects are often only visible after firing. The advent of digital decoration technology has gradually changed…
What characteristics the grinding water should have to yield a dense slurry?
The water used for grinding ceramic pastes plays a fundamental role in making a high density slurry with constant characteristics over time. The on-going challenge in ceramics is to maximise the density of the slip to increase production and reduce the energy cost of…
How to treat glaze which is damaged, smelly or rotten due to attack by bacteria or mould?
The aqueous suspensions in glazes and all ceramic clay suspensions are prone to attack by bacteria, mould and fungi because they contain large amounts of water, organic products contained in the clay and organic raw materials or additives. These are nutrients for micro-organisms.…
Why water based inks provide higher definition printing than solvent based inks?
When water based inks are used in an ink jet printer, the result is a higher definition image. A drop of solvent based ink is composed of 35% pigment and 65% apolar solvents. A drop of water based ink, on the other hand, is composed of 33% pigment, 33% water and 33% non-toxic,…
Why water based digital inks do not emit odours and reduce atmospheric emissions by at least 50%?
During combustion, solvent based inks release strong odours which are perceptible by people. Water based inks have now been developed which do not release perceptible combustion odours. What are the differences between the two types of ink that make them behave so differently?
Why water based digital inks do not dry in the print head, even though they are water based?
When ink jet print heads are kept in standby for a period of time, the ink at the nozzle outlets is exposed to air. Neither solvent nor water based inks dry on the head.